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• Absolute pitch and its implications for music

  Ken'ichi MIYAZAKI

  529-540
• The threshold of the residual pitch in three-component inharmonic stimuli

  Adam Mielczarek

  2014-01-01

  425-429
• Combination Tones in the Model of Central Auditory Processing for Pitch Perception

  Tadeusz ZIĘBAKOWSKI

  571–582
• Experiments on pitch perception: Implications for music and other processes

  Adrianus J.M. HOUTSMA

  475-490
• Identification of Harmonic Musical Intervals: The Effect of Pitch Register and Tone Duration

  Tomira ROGALA, Andrzej MIŚKIEWICZ, Piotr ROGOWSKI

  2017-11-13

  591–600
• Symmetry and asymmetry as a physical and perceptual feature of the complementary pair of bearing sinusoids. Part I. Amplitude and frequency envelope relations

  L. RUTKOWSKI

  2014-03-05

  51-66
• Thresholds of perception of jump frequency changes for a decaying signal

  Edward OZIMEK, Aleksander SĘK

  105-122
• The Lower Limit of Pitch Perception for Pure Tones and Low-Frequency Complex Sounds

  Carlos JURADO, Marcelo LARREA, Brian C.J. MOORE

  2021-08-24

  459–469
• Categorical perception in absolute pitch

  A. RAKOWSKI

  2014-05-01

  515-523
• Intonation of tone scales: psychoacoustic considerations

  Ernst TERHARDT

  147-156
• Mothers and their offspring perceive the tritone paradox in closely similar ways

  Diana DEUTSCH

  517-528
• Performance in a Pitch Memory Task by Visually Handicapped Children and Youths

  Edyta BOGUSZ, Hanna KOPROWSKA, Ewa SKRODZKA

  549–553
• Perceptually Correlated Parameters of Musical Instrument Tones

  James W. BEAUCHAMP

  225–238
• Auditory information processing for sound perception and vocalization in case of tritone paradox

  Honorata HAFKE

  441–446
• Dynamic approach to sound pitch

  Halina RYFFERT, Alicja CZAJKOWSKA, Urszula JORASZ, Rufin MAKAREWICZ

  3-10
• Influence of Musical Experience of Blind and Visually Impaired Young Persons on Performance in Selected Auditory Tasks on Performance in Selected Auditory Tasks

  Edyta BOGUSZ-WITCZAK, Ewa SKRODZKA, Hanna TURKOWSKA

  2015-06-25

  337–349
• Loudness Assessment of Musical Tones Equalized in A-weighted Level

  Despina KLONARI, Konstantinos PASTIADIS, Georgios PAPADELIS, George PAPANIKOLAOU

  239–250
• Perceptual Identification of Polish Vowels Due to F0 Changes

  Mariusz Stanisław OWSIANNY

  2019-01-21

  13–26
• Roughness of two simultaneous harmonic complex tones in various pitch registers

  Joanna SZCZEPAŃSKA-ANTOSIK

  73–78
• Pitch Processing of Speech: Comparison of Psychoacoustic and Electrophysiological Data

  Małgorzata WRZOSEK, Justyna MACULEWICZ, Honorata HAFKE-DYS, Agnieszka NOWIK, Anna PREIS, Grzegorz KROLICZAK

  375–381
• The 12-th International Symposium on Sound and Vision Engineering and Mastering - ISSVEM'07

  Editorial Board Archives of Acoustics

  749-755
• Psychoacoustical equivalents of tuning curves as determined by the post-stimulatory masking technique

  Antoni JAROSZEWSKI, Andrzej RAKOWSKI

  127-136
• Hearing damage from exposure to music

  A. JAROSZEWSKI, T. FIDECKI, P. ROGOWSKI

  2014-03-05

  3-31
• High freqency hearing loss in percusion players

  P. ROGOWSKI, A. RAKOWSKI, A. JAROSZEWSKI

  119-128
• The pitch code in music as compared with the natural language code

  Andrzej RAKOWSKI

  313-324
• An Efficient Edge Preserving Interpolation Method for Underwater Acoustic Image Resolution Enhancement

  R. PRIYADHARSINI, T. SREE SHARMILA

  2022-05-25

  267-274