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• Automatic Music Summarization. A “Thumbnail” Approach

  Jakub GŁACZYNSKI, Ewa ŁUKASIK

  297–309
• Artificial Intelligence on the Identification of Beiguan Music

  Yu-Hsin CHANG, Shu-Nung YAO

  2021-08-24

  471–478
• Auditory Display Applied to Research in Music and Acoustics

  Bożena KOSTEK

  2014-06-25

  203-214
• Automatic Genre Classification Using Fractional Fourier Transform Based Mel Frequency Cepstral Coefficient and Timbral Features

  Daulappa Guranna BHALKE, Betsy RAJESH, Dattatraya Shankar BORMANE

  2017-04-11

  213–222
• Music Mood Visualization Using Self-Organizing Maps

  Magdalena PLEWA, Bozena KOSTEK

  2015-10-01

  513–525
• Noise as music

  A. RAKOWSKI

  2014-01-01

  267-274
• Classification of Music Genres Based on Music Separation into Harmonic and Drum Components

  Aldona ROSNER, Björn SCHULLER, Bożena KOSTEK

  2014-12-08

  629-638
• A Key-Finding Algorithm Based on Music Signature

  Dariusz KANIA, Paulina KANIA

  2019-07-11

  447–457
• Speech and Music - Nonlinear Acoustical Decoding in Neurocognitive Scenario

  Susmita BHADURI, Dipak GHOSH

  2018-10-19

  593–602
• A Study on of Music Features Derived from Audio Recordings Examples – a Quantitative Analysis

  Aleksandra DOROCHOWICZ, Bożena KOSTEK

  2018-07-11

  505–516
• Music information analysis and retrieval techniques

  Bożena KOSTEK, Łukasz KANIA

  483–496
• Sound reproduction levels in portable players used by pupils in Warsaw secondary schools

  P. Rogowski, T. Rościszewska, A. Jaroszewski
• Concert Hall Sound Clarity: A Comparison of Auditory Judgments and Objective Measures

  Andrzej MIŚKIEWICZ, Tomira ROGALA, Teresa ROŚCISZEWSKA, Tomasz RUDZKI, Tadeusz FIDECKI

  41–46
• Effects of Acoustic Treatment on Music Teachers’ Exposure to Sound

  Emil KOZŁOWSKI, Rafał MŁYŃSKI

  159-163
• Resting hearing thresholds in children aged 7-10 years

  A. Jaroszewski, P. Rogowski, A. Rakowski
• Hearing damage from exposure to music

  A. JAROSZEWSKI, T. FIDECKI, P. ROGOWSKI

  2014-03-05

  3-31
• Identification of Harmonic Musical Intervals: The Effect of Pitch Register and Tone Duration

  Tomira ROGALA, Andrzej MIŚKIEWICZ, Piotr ROGOWSKI

  2017-11-13

  591–600
• Music vs noise: a comparison of loudness estimates

  A. MIŚKIEWICZ, A. RAKOWSKI

  2014-05-01

  203-216
• Exposures and hearing thresholds in music students due to training sessions

  A. JAROSZEWSKI, T. FIDECKI, P. ROGOWSKI

  111-118
• In search for the criteria of absolute pitch

  Andrzej RAKOWSKI, Marietta MORAWSKA-BÜNGELER

  75-87
• Absolute pitch: Common traits in music and language

  Andrzej RAKOWSKI, Ken'ichi MIYAZAKI

  5–16
• The pitch code in music as compared with the natural language code

  Andrzej RAKOWSKI

  313-324
• Absolute pitch and its implications for music

  Ken'ichi MIYAZAKI

  529-540
• Music Performers Classification by Using Multifractal Features: A Case Study

  Natasa RELJIN, David POKRAJAC

  2017-04-25

  223–233
• Parametric Audio Based Decoder and Music Synthesizer for Mobile Applications

  Marek SZCZERBA, Werner OOMEN, Dieter THERSSEN

  461–478
• n-gram-based approach to composer recognition

  Jacek WOŁKOWICZ, Zbigniew KULKA, Vlado KEŠELJ

  43–55
• Evaluation of electroacoustic devices by the equivalent scale methods

  Toniasz ŁĘTOWSKI, Jacek SMURZYŃSKI

  139-154
• New method for the estimation of homogeneity of individual judgements in psychoacoustical experiments

  Elżbieta ARANOWSKA, Maria MANTURZEWSKA, Piotr ROGOWSKI

  729-735
• Detection and Recognition of Environmental Sounds by Musicians and Non-Musicians

  Andrzej MIŚKIEWICZ, Teresa ROŚCISZEWSKA, Jan ŻERA, Jacek MAJER, Barbara OKOŃ-MAKOWSKA

  2018-10-19

  581–592
• An Automatic Synthesis of Musical Phrases from Multi-Pitch Samples

  Marek Janusz PLUTA, Leszek Jędrzej SPAŁEK, Rafał Jacek DELEKTA

  2017-04-11

  235–247
• Enhancing Speech Recognition in Adverse Listening Environments: The Impact of Brief Musical Training on Older Adults

  Akhila R. NANDAKUMAR, Haralakatta Shivananjappa SOMASHEKARA, Vibha KANAGOKAR, Arivudai Nambi PITCHAIMUTHU

  2023-12-11

  3–9
• Automatic identification of music performer using the linear prediction cepstral coefficients method

  Magdalena CHUDY

  27–33
• Opening transients and the quality of classic guitars

  A. JAROSZEWSKI, A. RAKOWSKI, J. ŻERA

  79-84
• Virtual Acoustics at the Service of Music Performance and Recording

  Wieslaw WOSZCZYK, Doyuen KO, Brett LEONARD

  109–113
• The Domain of Pitch in Music

  Andrzej RAKOWSKI

  429-443
• The application of organ sound in reverberation measurement in the concert hall of the warsaw academy of music

  Andrzej RAKOWSKI, Jerzy ERDMAN

  105-113
• Efficient Phantom Source Widening

  Franz ZOTTER, Matthias FRANK

  27-37
• Sound pressure levels in emission of percussion instruments during training sessions

  A. JAROSZEWSKI, P. ROGOWSKI, A. RAKOWSKI

  283-289
• Perceptually Correlated Parameters of Musical Instrument Tones

  James W. BEAUCHAMP

  225–238
• Estimation of guitar sound quality

  Tomira BOEHM, Kacper MIKLASZEWSKI, Friedrich BLUTNER, Eberhard MEINEL

  203-229
• A Real-Time Key-Finding Algorithm Based on the Signature of Fifths

  Paulina KANIA, Dariusz KANIA, Tomasz ŁUKASZEWICZ

  2024-10-21

  491–505
• High freqency hearing loss in percusion players

  P. ROGOWSKI, A. RAKOWSKI, A. JAROSZEWSKI

  119-128
• Impulsiveness of discotheque exposures

  A. JAROSZEWSKI, A. JAROSZEWSKA

  275-281
• Railroad noise affected by downward refraction and turbulence

  R. Gołębiewski, R. Makarewicz
• Loud music induced thresholds shifts and damage risk prediction

  A. JAROSZEWSKI, A. RAKOWSKI

  2014-05-01

  311-321
• Combination Tones in Violins

  Angela LOHRI, Sandra CARRAL, Vasileios CHATZIIOANNOU

  727–740
• Gap detection thresholds in young musicians with normal hearing and with very high frequency sloping hearing loss in 1/3-octave white noise centered at 4 kHz

  A. JAROSZEWSKI, A. JAROSZEWSKA, P. ROGOWSKI

  241-276
• Psychoacoustical equivalents of tuning curves as determined by the post-stimulatory masking technique

  Antoni JAROSZEWSKI, Andrzej RAKOWSKI

  127-136
• Vibration characteristics of free violin plates and their relation to tap tones data

  A. JAROSZEWSKI, A. RAKOWSKI, J. ŻERA

  2014-01-01

  13-26
• Citation for Professor Andrzej Rakowski

  Andrzej MIŚKIEWICZ, Tadeusz Fidecki, Tomasz Łętowski, Jacek Smurzyński, Krzysztof Szlifirski, Jan Żera

  443-446
• Subjective Assessment of Concert Halls: a Common Vocabulary for Music Lovers and Acousticians

  Alicia GIMENEZ, Rosa Marıa CIBRIAN, Salvador CERDA

  331–340
• Problems in recordings for listening evaluation of the quality of violins

  Andrzej SASIN, Antoni KARUŻAS, Tomasz ŁĘTOWSKI

  13-22
• Pitch Strength of Residual Sounds Estimated Through Chroma Recognition by Absolute-Pitch Possessors

  Piotr ROGOWSKI, Andrzej RAKOWSKI

  331–347
• The Influence of a Low-Frequency Musical Fragment on the Neural Oscillations

  Kateryna DROZDENKO, Sergey NAIDA, Oleksandr DROZDENKO, Anastasiia DAMARAD, Dmytro PARENIUK, Liudmyla VAKULENKO, Zhanna ADARICHEVA

  2022-05-25

  169-179
• Absolute Pitch and Its Frequency Range

  Andrzej RAKOWSKI, Piotr ROGOWSKI

  251–266
• Application of an automatic audiometer in the measurement of the directional characteristic of hearing

  Jan ŻERA, Tomira BOEHM, Tomasz ŁĘTOWSKI

  197-206
• Loudness Assessment of Musical Tones Equalized in A-weighted Level

  Despina KLONARI, Konstantinos PASTIADIS, Georgios PAPADELIS, George PAPANIKOLAOU

  239–250
• Deviations from equal temperament in tuning isolated musical intervals

  Andrzej RAKOWSKI, Andrzej MIŚKIEWICZ

  95-104
• Estimating Ensemble Location and Width in Binaural Recordings of Music with Convolutional Neural Networks

  Paweł ANTONIUK, Sławomir Krzysztof ZIELIŃSKI

  2025-02-10

  81-93
• Investigation of the Sound Source Regions in Open and Closed Organ Pipes

  Viktor HRUŠKA, Pavel DLASK

  2019-03-15

  467–474
• Music-Induced Vibrations in a Concert Hall and a Church

  Sebastian MERCHEL, Mehmet Ercan ALTINSOY

  13-18
• Modal Analysis of a Trapezoidal Violin Built after the Description of Félix Savart

  Tim DUERINCK, Ewa SKRODZKA, Bogumił B.J. LINDE

  2014-12-08

  623-628
• Perception of some intonational deviations in melodies

  J. FYK

  2014-05-01

  323-331
• Timbre differences of an individual voice in solo and in choral singing

  Tomasz ŁĘTOWSKI, Lidia ZIMAK, Halina CIOŁKOSZ-ŁUPINOWA

  55-65
• Perception of Changes in Spectrum and Envelope of Musical Signals vs Auditory Fatigue

  Maurycy KIN, Andrzej Dobrucki

  2016-04-22

  323–330
• PERCEIVED ROUGHNESS OF TWO SIMULTANEOUS HARMONIC COMPLEX TONES

  Andrzej MIŚKIEWICZ, Tomira ROGALA, Joanna SZCZEPAŃSKA–ANTOSIK

  737–748
• Assessing Spatial Audio: A Listener-Centric Case Study on Object-Based and Ambisonic Audio Processing

  Paweł MAŁECKI, Joanna STEFAŃSKA, Maja SZYDŁOWSKA

  2024-06-11

  331–343
• A Békésy audiometer with electronic signal level control and its application to psychoacoustical measurements

  Antoni JAROSZEWSKI, Andrzej RAKOWSKI

  231-242
• Effect of Bass Bar Tension on Modal Parameters of a Violin’s Top Plate

  Ewa B. SKRODZKA, Bogumił B.J. LINDE, Antoni KRUPA

  145-149
• Analysis of Sound Field Distribution in Architecturally Diverse Temples

  Paweł BŁASZCZAK, Sylwia BERDOWSKA, Janusz Marek BERDOWSKI

  2021-03-19

  121–133
• Time error in perception of sound brightness

  Tomasz ŁĘTOWSKI, Jacek SMURZYŃSKI

  143-146
• Categorical perception in absolute pitch

  A. RAKOWSKI

  2014-05-01

  515-523
• Head-Related Transfer Function Selection Using Neural Networks

  Shu-Nung YAO, Tim COLLINS, Chaoyun LIANG

  2017-07-11

  365–373
• A physiological evaluation of the efficiency of playing the wind instruments – an aerodynamic study

  Zygmunt PAWŁOWSKI, Marek ŻÓŁTOWSKI

  291-299
• The characteristics of the phenomenon of initiation (sound intonation) in playing the wind instruments

  Zygmunt PAWŁOWSKI, Marek ŻÓŁTOWSKI

  229-240
• On a Robust Descriptor of the Flue Organ Pipe Transient

  Viktor HRUŠKA, Pavel DLASK

  2020-07-09

  377–384
• Anechoic measurements of particle-velocity probes compared to pressure gradient and pressure microphones

  Wieslaw WOSZCZYK, Masakazu IWAKI, Takehiro SUGIMOTO, Kazuho ONO, Hans-Elias de BREE

  643-658
• Vibration Modes of the Cello Tailpiece

  Eric FOUILHE, Giacomo GOLI, Anne HOUSSAY, George STOPPANI

  713–726
• Analogue modulator for psychoacoustical pulse measurements

  Antoni JAROSZEWSKI, Andrzej RAKOWSKI

  73-79
• An Accent-Based Approach to Automatic Rendering of Piano Performance: Preliminary Auditory Evaluation

  Erica BISESI, Richard PARNCUTT

  283–296
• Chosen problems of the aerodynamics of playing the wind instruments

  Zygmunt PAWŁOWSKI, Marek ŻÓŁTOWSKI

  215-228
• On the Consumption of Multimedia Content Using Mobile Devices: a Year to Year User Case Study

  Przemyslaw FALKOWSKI-GILSKI

  2020-04-29

  321–328
• Fundamental aspects of aeroacoustics in singing

  Zygmunt PAWŁOWSKI, Marek ŻÓŁTOWSKI

  207-224
• Applying computational intelligence to musical acoustics

  Bożena KOSTEK

  617-629
• Gap detection thresholds in 1/3-octave white noise centered at 4kHz in children 7-14 years of age with normal hearing and with very high frequency sloping hearing loss

  A. Jaroszewski, A. Jaroszewska
• 12th International Symposium on Sound and Vision Engineering and Mastering

  Bożena Kostek

  5
• A Double Synthetic Index to Evaluate the Acoustics of Churches

  Umberto BERARDI

  521–528
• Band-limited noise interference in loudspeaker systems

  T. FIDECKI

  2014-04-01

  263-279
• Perception aspects of a rule system for converting melodies from musical notation into sound

  L. FRYDEN, J. SUNDBERG, A. ASKENFELT

  269-280
• The Risks of Social Noise Exposure in the Vulnerable Population in Slovakia

  Lubica ARGALASOVA, Alexandra FILOVA, Katarina HIROSOVA, Diana VONDROVA, Martin SAMOHYL, Daniela KRAJCOVA, Jana JURKOVICOVA, Ludmila SEVCIKOVA

  2016-05-24

  535–541
• Experiments on long-term and short-term memory for pitch in musicians

  Andrzej RAKOWSKI, Piotr ROGOWSKI

  815-826
• Variability of the hearing threshold tracings in automatic audiometry beyond the initial transient phase

  Antoni JAROSZEWSKI, Andrzej RAKOWSKI

  71-79
• Roughness of two simultaneous harmonic complex tones in various pitch registers

  Joanna SZCZEPAŃSKA-ANTOSIK

  73–78
• Quasi-nonlinear distortion of signals in closed space for an unsteady state

  Stefan CZARNECKI, Władysław WYGAŃSKI

  83-106
• The formation of onset transients in rooms measured by crosscorrelation

  J. ŻERA, M. DAROWSKA

  2014-05-01

  367-380
• A practical trial of stochastic system identification under existence of background noise based on equivalence of statistics and its application to response probability evalutation of acoustic system with music input

  Mitsuo OHTA, Kiminobu NISHIMURA

  2014-06-30

  213-220
• The 12-th International Symposium on Sound and Vision Engineering and Mastering - ISSVEM'07

  Editorial Board Archives of Acoustics

  749-755
• Preliminary Study on the Influence of Headphones for Listening Music on Hearing Loss of Young People

  Andrzej DOBRUCKI, Maurycy KIN, Bartłomiej KRUK

  383–387
• Analysis of the initial fraction of Békésy recordings in the threshold audiometry*

  Antoni JAROSZEWSKI, Andrzej RAKOWSKI

  299-308
• Active Acoustics in Concert Halls – A New Approach

  Wieslaw WOSZCZYK

  2014-01-01

  379–393