Perception of Changes in Spectrum and Envelope of Musical Signals vs Auditory Fatigue
Chiou-Jong C., Yu-Tung D., Yih-Min S., Yi-Chang L., Yow-Jer J. (2007), Evaluation of auditory fatigue in combined noise, heat and workload exposure, Industrial Health, 45, 4, 527–534.
de Bruijn A. (1978), Timbre-classification of complex tones, Acustica, 40, 2, 108–114.
Dobrucki A.B., Kin M.J., Kruk B. (2013), Preliminary study on the influence of headphones for listening music on hearing loss of young people, Archives of Acoustics, 38, 3, 383–387.
Green D.M., Nachmias J., Kearney J.K., Jeffress L.A. (1979), Intensity discrimination with gated and continuous sinusoids, J. Acoust. Soc. Amer., 64, 1051–1056.
Green D.M. (1983), Profile analysis: A different view of audiology intensity discrimination, American Psychologist, 38, 2, 133–142.
Gren J. (1978), Statistics – models and exercises [in Polish], PWN, Warszawa.
Jaroszewski A., Rakowski A. (1994), Loud music induced threshold shifts and damage risk prediction, Archives of Acoustics, 19, 2, 311–321.
Jaroszewski A., Fidecki T., Rogowski P. (1998), Hearing damage from exposure to music, Archives of Acoustics, 23, 1, 3–31.
Jaroszewski A., Fidecki T., Rogowski P. (1999), Exposures and hearing thresholds in music students due to training sessions, Archives of Acoustics, 24, 2, 111–118.
Jesteadt W., Wier C.C., Green D.M. (1977), Intensity discrimination as a function of frequency and sensation level, J. Acoust. Soc. Amer., 61, 169–177.
Kozłowski E., Młyński R. (2014), Effects of acoustic treatment on music teachers’ exposure to sound, Archives of Acoustics, 39, 2, 159–163.
Kruk B., Zawieja B. (2013), Improve the listening ability using e-learning methods, 134th AES Convention, Rome, Italy, preprint 8870.
Marcora S.M., Staiano W., Manning V. (2009), Mental fatigue impairs physical performance in humans, Journal of Applied Physiology, 106, 3, 857–864.
Miller G.A. (1948), The perception of short burst of noise, J. Acoust. Soc. Amer., 20, 160–170.
Moore B.C.J. (2016), Effects of sound-induced hearing loss and hearing aids on the perception of music, J. Audio Eng. Soc., 64, 3, 112–123.
Morawski S. (1967), The aesthetical studies, Part IV [in Polish], [in:] The selection of aesthetic papers, Universitas, Kraków, 2007.
O’Brien I., Beach E.F. (2016), Hearing loss, earplugs use and attitudes to hearing protection among non-orchestral ensemble musicians, J. Audio Eng. Soc., 64, 3, 132–137.
Pawlaczyk-Łuszczynska M., Dudarewicz A., Zamojska A., Śliwińska-Kowalska A. (2011), Evaluation of sound exposure and risk of hearing impairment in orchestral musicians, International Journal of Occupational Safety and Ergonomics, 17, 3, 255–269.
Rakowski A. (1996), Noise as music, Archives of Acoustics, 21, 3, 267–274.
Ristovska L., Jachova Z., Atanasova N. (2015), Frequency of the audiometric notch following excessive noise exposure, Archives of Acoustics, 40, 2, 213–221.
Rintelmann W.F., Lindberg R.F., Simiteley E.K. (1972), Temporary Threshold Shift and recovery patterns from two types of rock-and-roll music presentation, J. Acoust. Soc. Amer., 51, 1249–1255.
Royster J.D., Royster L.H., Killion M.C. (1991), Sound exposures and hearing thresholds of symphony orchestra musicians, J. Acoust. Soc. Amer., 89, 2793–2803.
Rumsey F. (2011), Mastering – art, perception, technologies, J. Audio Eng. Soc., 59, 6, 436–440.
Scharf B. (1992), Recent measurements of loudness adaptation and the definition of loudness, Proc. of the 14th ICA.
Shailer M.J., Moore B.C.J. (1983), Gap detection as a function of frequency, bandwidth and level, J. Acoust. Soc. Amer., 74, 467–473.
Sherrick C.E. Jr. (1959), Effect of background noise on the auditory intensive difference limens, J. Acoust. Soc. Amer., 31, 239–242.
Takeshima H., Suzuki Y., Kono Shunici, Toshio Sone (1988), Growth of the loudness of a tone burst with a duration up to 10 seconds, J. Acoust. Soc. Jpn., 9, 295–300.
Toole F.E., Olive S.E. (1988), The modification of timbre by resonances: perception and measurement, J. Audio Eng. Soc., 36, 3, 122–142.
ITU-R: Recommendation 1284, (1997), Methods for the subjective assessment of sound quality – general requirements, Geneva, Switzerland.
EBU Technical Recommendation R22-1999, Listening conditions for the assessment of sound programme material, EBU Geneva, Switzerland.
ISO 8253-1:2010, Acoustics – audiometric test methods – Part 1: Pure-tone air and bone conduction audiometry.
PN-EN 26189, The measurements of hearing threshold by audiometric air conduction for hearing protection [in Polish].
Copyright © Polish Academy of Sciences & Institute of Fundamental Technological Research (IPPT PAN)